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Logic chooses to name the man in his musical adaptation “Atom,” and when he’s not rapping as Logic, he’s rapping from the perspective of a past life.
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It operates on a colossal scale, and yet somehow still ends up being myopic.Īstrophysicist Neil deGrasse Tyson, whose last major foray into rap was to wage war with flat Earth truther B.o.B, plays God on Everybody. Give an extremely verbose rapper a heady short story and watch it come undone. Never mind the fact that the concept is completely unoriginal, even on a superficial level Everybody unravels Weir’s tightly coiled micro universe into a nonsensical sprawl. Logic gets even more literal in the subtext, drawing parallels between this life force balance and his mixed-race heritage. Herein, an existential crisis unfolds. “Every act of kindness you’ve done, you’ve done to yourself.” This is Everybody’s central conceit: We are all the same, and every misdeed hurts the human race equally. If this seems convoluted that’s because it is: Weir’s story was meant as a fanciful (albeit thoughtful) work of fiction, not an intersectional parable. “Every time you victimized someone you were victimizing yourself,” the short story goes. He weaves his own struggles with race and religion into a complex, panoramic view of humanity, seeking a unified theory of equality, not just for his mortal coil but for the cosmos. Maryland rapper Logic’s new album, Everybody, is a strangely faithful adaptation of the short story with an emphasis on the endless cycle of reincarnations that’d eventually-hypothetically-cause everyone to be different incarnations of the same person.